Ezra Pound

This eclectic 1918 volume of poetry, essays, reviews, dramatic dialogues, and short fiction is a brilliant hotchpotch of Pound's early writings. Among the contents are "'Dubliners' and Mr. James Joyce" and "Troubadours: Their Sorts and Conditions," as well as the key modernist essays "A Few Don'ts" and "Ford Madox Hueffer and the Prose Tradition in Verse."

Cathay is a collection of classical Chinese poems by Li Bai, interpreted by the American poet Ezra Pound. Though Pound didn't speak Chinese, he based his translations on notes by Ernest Fenollosa, in the process setting a benchmark for modernist translations. The interpretative nature of Pound's work broke new ground in the treatment of poetry, and his status as an outsider allowed him a creative space not available to more, literal translators. Cathay...

«Ezra Pound. Primeros poemas (1908-1920)» recoge la traducción al castellano y la anotación crítica de una amplia selección de los poemas que Pound publicó desde principios del siglo XX hasta los años siguientes a la Gran Guerra, a cargo de Rolando Costa Picazo, profesor de literatura Norteamericana en la Universidad de Buenos Aires, miembro de Número de la Academia Argentina de Letras y Correspondiente de la Real Academia Española. Costa...

Hear rare recordings from some of the world's most-respected poets reading their own works: Ezra Pound, Old Men With Beautiful Manners; William Butler Yeats, The Lake Isle Of Innisfree; Robert Graves, A Last Poem; Edna St. Vincent Millay, The Harp-Weaver; Richard Eberhart, The Groundhog; Philip Levine, Blasting From Heaven; Marianne Moore, The Mind Is An Enchanting Thing; Stephen Spender, What I Expected; Vachel Lindsay, An Interpolation By Mr. Lindsay....

First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous...