Light and Dark: A Novel
(eBook)

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Published
Columbia University Press, 2013.
ISBN
9780231536189
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Natsume Sōseki., & Natsume Sōseki|AUTHOR. (2013). Light and Dark: A Novel . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Natsume Sōseki and Natsume Sōseki|AUTHOR. 2013. Light and Dark: A Novel. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Natsume Sōseki and Natsume Sōseki|AUTHOR. Light and Dark: A Novel Columbia University Press, 2013.

MLA Citation, 9th Edition (style guide)

Natsume Sōseki, and Natsume Sōseki|AUTHOR. Light and Dark: A Novel Columbia University Press, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID3e541fe3-48ee-7433-2532-348ed8d6c048-eng
Full titlelight and dark
Authorsōseki natsume
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-06-21 22:01:59PM

Book Cover Information

Image Sourcehoopla
First LoadedDec 17, 2023
Last UsedMay 19, 2024

Hoopla Extract Information

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    [synopsis] => Published in 1917, Light and Dark is unlike any of Natsume Soseki's previous works and unique in Japanese fiction of the period. What distinguishes the novel as "modern" is its remarkable representation of interiority. The protagonists, Tsuda Yoshio, thirty, and his wife O-Nobu, twenty-three, exhibit a gratifying complexity that qualifies them as some of the earliest examples of three-dimensional characters in Japanese fiction. O-Nobu is quick-witted and cunning, a snob and narcissist no less than her husband, passionate, arrogant, spoiled, insecure, naive -- yet, above all, gallant. Under Soseki's scrutiny, she emerges as a flesh-and-blood heroine with a palpable reality, dueling with her husband, his troublemaking friend, Kobayashi, and her sister-in-law, O-Hidé. Tsuda undertakes his own battles with Kobayashi, O-Hidé, and the manipulative Madam Yoshikawa, his boss's wife. These exchanges explode into moments of intense jealousy, rancor, and recrimination that will surprise English-speaking readers who expect indirectness, delicacy, and reticence in Japanese relations. Echoing the work of Jane Austen and Henry James, Soseki's novel achieves maximal drama with minimal action and symbolizes a tectonic shift in literary form.
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