Arabian Nights
(eBook)

Book Cover
Published
Arsenal Pulp Press, 2017.
ISBN
9781551526676
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Michael Moon., & Michael Moon|AUTHOR. (2017). Arabian Nights . Arsenal Pulp Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Michael Moon and Michael Moon|AUTHOR. 2017. Arabian Nights. Arsenal Pulp Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Michael Moon and Michael Moon|AUTHOR. Arabian Nights Arsenal Pulp Press, 2017.

MLA Citation, 9th Edition (style guide)

Michael Moon, and Michael Moon|AUTHOR. Arabian Nights Arsenal Pulp Press, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID5d6028f4-51f0-013e-a93a-0e5dae311694-eng
Full titlearabian nights
Authormoon michael
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-06-28 23:03:08PM

Book Cover Information

Image Sourcehoopla
First LoadedNov 8, 2023
Last UsedJun 26, 2024

Hoopla Extract Information

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    [synopsis] => A Queer Film Classic on 1974's Arabian Nights by Pier Paolo Pasolini, the controversial Italian director who was murdered under mysterious circumstances in 1975. Already internationally distinguished as a poet, novelist, and outspoken social critic of the postwar period, Pasolini turned to filmmaking around 1960. In little more than a decade, he produced one of the most remarkable bodies of work in cinema history, beginning with his early film-portraits of the struggles of underclass youths and extending through his adaptations of such sacred or mythic narratives as the stories of Oedipus and Medea and the Gospel of St. Matthew. In what turned out to be the last years of his career, Pasolini turned to several classic works of chain-narrative, The Arabian Nights, The Decameron, The Canterbury Tales, and Sade's The 120 Days of Sodom, as models for his own radical expansion of cinema's capacities for telling, showing, and enacting embodiment, nudity, and sexual desires and behaviors. This book explores the legacy and context of Arabian Nights, in many ways the most optimistic and appealing of Pasolini's late films, not only in the final explosive phase of Pasolini's career but also more broadly in the global history of film spectacle from Douglas Fairbanks to Maria Montez.
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