What Is to Be Done?
(eBook)

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Published
Linda Leith Publishing, 2017.
ISBN
9781988130231
Status
Available Online

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Format
eBook
Language
English

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APA Citation, 7th Edition (style guide)

Mavis Gallant., & Mavis Gallant|AUTHOR. (2017). What Is to Be Done? . Linda Leith Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Mavis Gallant and Mavis Gallant|AUTHOR. 2017. What Is to Be Done?. Linda Leith Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Mavis Gallant and Mavis Gallant|AUTHOR. What Is to Be Done? Linda Leith Publishing, 2017.

MLA Citation, 9th Edition (style guide)

Mavis Gallant, and Mavis Gallant|AUTHOR. What Is to Be Done? Linda Leith Publishing, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID65c1f91d-48b7-643f-0bfa-0fdd4f5b2326-eng
Full titlewhat is to be done
Authorgallant mavis
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-06-21 23:16:22PM

Book Cover Information

Image Sourcehoopla
First LoadedJan 27, 2024
Last UsedJan 27, 2024

Hoopla Extract Information

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    [synopsis] => Mavis Gallant's only play, which premiered at Toronto's Tarragon Theatre on November 11, 1982, is a comedy that opens in 1942, in the heat of the battle against Fascism, when it was possible for Canadians to cheer for both Stalin and the Royal Family. At home in Montreal, Jenny (18) is impressed by her friend Molly's copy of a political pamphlet written by V. I. Lenin entitled What Is To Be Done? The two young women are fascinated by the refugees who are flooding into the city from Europe, and they spend their spare time on left-wing political activity in support of the Soviet Union, dreaming of the new world they're certain will arise out of the ashes of the war.

Drawing on Mavis Gallant's unpublished journals, the introduction by Linda Leith situates the play in the context of the author's life and work. "Before she left for Europe in 1950, Gallant destroyed all the poems and stories she had been writing, along with all the diaries she had kept. In the Linnet Muir of the Montreal stories and in the Jenny and the Molly of the play we have vivid portraits of young women whose hopes and fears and passions and dreams tell us as much as we are ever likely to know about the young woman who became Mavis Gallant."
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