MFA vs NYC: The Two Cultures of American Fiction
(eBook)

Book Cover
Published
Farrar, Straus and Giroux, 2014.
ISBN
9780374712273
Status
Available Online

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Format
eBook
Language
English

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APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2014). MFA vs NYC: The Two Cultures of American Fiction . Farrar, Straus and Giroux.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2014. MFA Vs NYC: The Two Cultures of American Fiction. Farrar, Straus and Giroux.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. MFA Vs NYC: The Two Cultures of American Fiction Farrar, Straus and Giroux, 2014.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. MFA Vs NYC: The Two Cultures of American Fiction Farrar, Straus and Giroux, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDc8f50c62-802c-f5c7-144d-4b853082f466-eng
Full titlemfa vs nyc the two cultures of american fiction
Authorauthors various
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-06-27 02:23:31AM

Book Cover Information

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First LoadedMay 16, 2024
Last UsedJun 27, 2024

Hoopla Extract Information

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    [synopsis] => Writers write-but what do they do for money?

In a widely read essay entitled "MFA vs NYC," bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse-having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters.
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